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A Most Singular Specimen

It was a loathsome thing indeed that lay prostrate on Dietrichson’s dissecting table, a huge grub almost two feet long and eleven inches around the girth which contracted and expanded with each dying breath. Folds of glistening white skin rose and fell in regular rhythm, until at last it expired with a burbling hiss. The gas had taken its effect. Dietrichson put aside the moisture-clouded glass dome which had acted as a killing jar and examined the grub with his magnifying glass.

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Let the Blood Run Red (1983, Part 1)

Paul Roland braves the curse of the critics to trace the history of HAMMER – the house of horror

Prologue

During the early 1980s I was writing for a number of film and music magazines and, being a huge horror movie buff, I naturally took the opportunity to suggest a Hammer feature at one of Kerrang’s weekly editorial meetings. It is basically an introductory overview of the studio’s horror output and for reasons of space omits reference to a couple of my favourite Hammer filmsm ‘The Witches’ and ‘Captain Kronos – Vampire Hunter’, but for those who are not hardcore Hammer fans it may be of interest for the brief quotes from Christopher Lee and the various Hammer ‘House’ directors. (My interview with Peter Cushing can be found elsewhere on this site).

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Let the Blood Run Red (Part 2)

Paul Roland (still) braves the curse of the critics to trace the history of Hammer, the House of Horror

1960–1976

The following year, Hammer released no less than three films, two of which have since become classics of the genre, while the third, ‘The Two Faces of Dr Jekyll’, remains an interesting curio. Jekyll featured Paul Massie in the title role, portraying Dr J as a bearded, insensitive scientist, and his primitive half as a handsome, clean-shaven sadist. A unique interpretation and one which easily stole the acting honours from Christopher Lee, who had been relegated to a minor supporting role.

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