In 1985, just prior to the release of the ‘VU’ album (a collection of previously unreleased tracks recorded in 1969 and intended for their fourth album), I had the privilege of interviewing Nico, Sterling Morrison and Maureen Tucker for a national Sunday newspaper. At the end of each interview I mentioned that I was preparing a new album (to follow ‘Burnt Orchids’) and asked if they would consider playing on it, if I could get the multi-track tapes shipped to the States. They agreed and Sterling seemed particularly keen as he was eager to get back into music after taking time out to study for a university degree. I remember that he was very complimentary about my songwriting after he heard the tapes (backing tracks with guide vocals, not demos) and in a couple of telephone conversations he mentioned that he found the structure of the songs unusual and that interested him. But the tape formats were not compatible with the equipment in the studio he was using at the time and I let the project lapse, assuming that we would sort it out at a later date. I even had a letter from his attorney asking me to give him extra time, but I had an offer from UK psych label Bam Caruso and needed to deliver an album by a certain date, so I shelved the songs I had written for the VU and moved on. Then, sometime later, Sterling died and so did Nico.
It was not until last year, 27 years(!) after writing those songs that I thought of digging them out, dusting them off and recording them as I had been itching to get back to playing with a rock band after a year spent creating a solo acoustic project (‘Grimm’). The resulting album, ‘Bates Motel’ (which also includes songs written for a John’s Children reunion album at the invitation of frontman Andy Ellison), is released next month on the German label Sireena Records.