IT may not be fashionable to say so, but I have always had a soft spot for early Jethro Tull and that is why I had no qualms about featuring a flute on ‘Captain Blood’ and later on ‘Pan’, though one American fanzine dubbed it “the spawn of Satan” (the flute that is, not my song)! I was therefore delighted to meet the band’s frontman and songwriter Ian Anderson in 1989 and to have had a chance to ask why it all went hideously wrong during ‘A Passion Play’! Only kidding, though I did manage to slip that question into the conversation, though I worded it more diplomatically of course(*).
Since the mid-Seventies Jethro Tull have been vilified as self-indulgent, pretentious and archaic, yet their albums continue to sell close on a million copies each year, their concerts are sell outs in Europe and the USA, and they picked up a Grammy for best hard rock album of ’87. Not bad for a band who are often written off as ‘too old to rock and roll’. Read the rest of this entry